cloudfifteen:

i love this so much. the freshness and how alive you feel when you escape to breathe out of the ocean. i wish i was here.

(Source: gifmovie)

thenakedlibrarianontheroof:

This is the kind of thing I feel like I should be wearing all the time in case I accidentally get sucked back in time somehow. Instant goddess/queen/faerie/whatevs.

(Source: dobriens)

(Source: tinsoftware)

(Source: ride-thischevy)

vurtual:

Whale??? (by Muri)

avatar-spleen:

Kyoshi Warriors @ SakuraCon

These guys were amazing!!

(Source: irohsquared)

(Source: vixe-n)

(Source: class15b)

theblacklacedandy:

funnywildlife:

Award Winning Garden Design By Ben Hoyle

I’M SCREAMING THIS IS SO BEAUTIFUL

justdontfuckingtouchme:

you-knowhowido:

child-of-the-darkness:

lolitalisa-almost-dead:

merryblossoms:

xshvmir:

strong-and-stronger:

Guys, look! A little jiggle! You can see her skin bunch up when she moves! She looks real and healthy! And you know what else? She looks damn fab.

SHES SO CONFIDENT OMFG U GO GIRL I WISH I COULD STRUT WITH THAT MUCH SASS AND PURE SEXINESS I

(Source: plussizeebony)

(Source: lovef00d)

tastefullyoffensive:

[via]

(Source: fuks)

razorshapes:

Numen / For Use - Tape Vienna / Odeon (2010)

Artist’s statement:

“The tape concept developed further towards a more sculptural architectonic form. It was practically “found” through the act of chaotic wrapping, where a one-dimensional line (“tape”), slowly turned into two-dimensional plane, which then finally curved into volume. The installation was envisaged as a site specific, parasitical structure invading an arbitrary location. The straight lines of main trajectories are stretched across a given area and these tendons are then wrapped diagonally with layers of elastic tape, giving shape to a complex organic form through a process similar to the emergence of such structures in nature. With the further layering of the tape, the figure becomes more and more corporeal as it picks up on the slow increase of the curvature. The  interior of the structure is supple, elastic, and pliable while the form itself is statically perfect, as it ideally follows the trajectories of forces, being literally defined by them. In the moment when the audience enters the installation, what started off as a sculpture seamlessly morphs into architecture.”

(Source: avrisham)